The photo sequence of Heike Henkel was taken during a competition
at Crystal Palace.
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- Three strides from taking off.
- Leaning into the
bend.
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- The right foot is placed
out to the side to prevent the hips from collapsing before take-off.
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- The right shoulder is high.
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- The left foot heel
strikes about one metre from the bar and upright.
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- Lean back.
- The right
shoulder is high.
- The left foot is ahead of the body.
- The hips are forward.
- The hips
are at 45° to the bar and the shoulders at 90°.
- The trunk is upright and
leaning slightly back.
- The jumping foot is in alignment with the jumping
leg.
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- Flexion in the left
leg to allow drive upwards.
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- The right knee and both
arms begin the upward drive.
- The body is tall and upright.
- The eyes are focused above the
bar.
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- The left
leg extends.
- Both arms are swung forward and upwards with the right leg.
- The right
hip is driven upwards and towards the far upright.
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- Rotation of the body
is due to right hip/knee and arm action.
- The left hip is still extended.
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- The left knee is
brought up to join the right knee.
- The back rotates towards the bar.
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- The arms remain
high.
- The heels are behind the knees.
- The knees are kept apart.
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- Arms are driven down to extend hips.
- Heels pulled back towards the head (resulting in an arched back).
- The arms are in a crucifix position.
- The knees are kept apart.
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- The knees are kept
apart.
- The heels behind the knees.
- The arms are in a crucifix position.
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- The knees above the
hips.
- The arms are in a crucifix position.
- The heels come in front of the knees to
begin the pike position.
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- The arms are
lifted vigorously in front of the trunk and then above the head to aid leg
clearance.
- Piking of the thighs to the chest can be assisted by the movement of
the head onto the chest so that the eyes are looking forward.
- Finally, the
knees are straightened, landing on the shoulders.
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